Well, the world keeps turning, eh? Here are a few writing and teaching updates:
1. New microfiction, “Strange Music,” at Gris-Gris.
2. Interview up regarding “The Handle” at Psychopomp Magazine.
3. Besides the new semester of 2017, also now teaching for the Blackbox Writing Residency starting this weekend at A&M.
A busy and rewarding semester teaching at Texas A&M University. Some wonderful papers, stories, poems, scripts, theatrical and puppet performances emerged from students.
In addition, I was lucky enough to have some stories and articles see publication within the space of several months.
My story “Echolocation” is available in the Arroyo Literary Review Print Issue 8 Spring 2016: https://arroyoliteraryreview.com/
You’ll find “Shadows of the Past in the Sunshine State”–a folklore fieldwork study of ghost legends and ghost tourism in St. Augustine, FL in Western Folklore . Summer/Fall2015, Vol. 74 Issue 3/4, p309-342. 34p. Available here: http://www.westernfolklore.org/WFVol74No3&4.html
I’ve worked on “The Handle” the last couple of years, and it will be published later this summer and reached Runner Up status in Psychopomp Magazine‘s Short Fiction contest for 2016: https://psychopompmag.com/contests/2016-psychopomp-magazine-short-fiction-award/
Most recently the online open source journal Humanities published my article, “We All Live in Fabletown: Bill Willingham’s Fables—A Fairy-Tale Epic for the 21st Century” for the special issue Fairy Tale and its Uses in Contemporary New Media and Popular Culture–Academic Editor: Claudia Schwabe
http://www.mdpi.com/2076-0787/5/2/32
Hope everyone’s 2016 is shaping up nicely. One item to wrap-up this previous year: had a short story submission (“Girl in the Trunk”) receive an Honorable Mention for the 40th New Millennium Award
http://winners.newmillenniumwritings.org/
Also had some good news that Western Folklore will be publishing an article I wrote and the Arroyo Literary Review will include one of my short stories in their next issue for 2016.
1. This interview relates partly to the publication a couple months ago, “What the Storm Brought.”
http://midwestgothic.com/2015/08/contributor-spotlight-jason-marc-harris-2/
2. Another story that Midwestern Gothic published of mine, “Fridge Monitor” was recently a Finalist (top 15) for the Mark Twain Royal Nonesuch humor contest. Wish there were more such contests–that episode btw of HuckleBerry Finn with the Duke & the Dauphin was indeed quite a riot.
This story is partly based on the historical tornado that hit a relative and her family in Belleville, OH on May 10th, 1973. There’s all sorts of great poetry and fiction in this summer issue of Midwestern Gothic Issue 18 (Summer 2015).
http://midwestgothic.com/
Check out the recent Vietnam issue of Masque & Spectacle. My story “Ridden” appears there, and the entire issue has a compelling assortment of poetry, prose, video, artwork, and musical performance.
http://masqueandspectacle.com/2015/05/30/ridden-jason-harris/
To resonate with Halloween and other traditional festivals of the dark time of year, as well as the gloom of this season–single digits and Fall snow have already started to mount up in the upper Midwest, heck, the temperatures dropped below freezing at night even down here in Bryan, TX–people have often told “winter tales.” Here’s one such winter tale that also engages not only the Upper Peninsula of MI but dallies with the Slender Man meme, which you can easily find information about if you haven’t yet encountered the Slender Sickness.
Print version here of Riding Light Review’s Halloween Issue:
http://www.amazon.com/Riding-Light-Review-October-Special/dp/1503004716/ref=sr_1_2?ie=UTF8&qid=1415208368&sr=8-2&keywords=the+riding+light+review
Website for The Riding Light Review’s Special Halloween Issue:
http://www.ridinglightreview.com/special-issues.html
One of the great experiences of my time at Bowling Green State University’s MFA program was the opportunity to get involved with editing Mid-American Review. My first year I was Assistant Fiction Editor, and my second year I moved on to Fiction Editor, during which time I was fortunate to have two very helpful Assistant Fiction Editors: Laura Maylene Walter (current Fiction Editor) and Sasha Khalifeh. The entire staff–from Editor-in-Chief Abby Cloud to the hardworking interns–was fantastic to work with, and the process of reading through and discussing the multifarious submissions was always interesting.
Discovering new writers was the highpoint of the time at MAR. One of several writers that stood out is Rose Whitmore. She was in MAR XXXIV.1 for “Avenue of the Giants”–a coming-of-age adventure of a teenage girl living at a struggling Bigfoot theme park set in the redwoods. Rose’s humor and compassion for her characters made this story rich with both depth and detail. Complex family issues and sharp prose. Rose is a writer to keep an eye on!
Check out Rose Whitmore’s bio so far: Rose Whitmore’s essays and stories have appeared in The Missouri Review, The Sun, Mid-American Review and Fourth Genre. She is the recipient of the 2013 Peden Prize from The Missouri Review, and a work-study scholarship from the Bread Loaf writer’s conference. She lives in San Diego where she is at work on a collection of personal essays and a collection of short stories.
For some reflections on the submission process from the editorial side, check out Laura Maylene Walter’s blog post here: http://lauramaylenewalter.com/?p=10777
And to keep up with MAR in general, check out Suzanne Hodsden’s updates for MAR’s blog:
http://casit.bgsu.edu/marblog/
So, Wisconsin writer Lee Kreckow (www.leelkrecklow.com) tagged me for this “blog tour” activity where writers need to share their answers to the following questions. Read along and find out what lucky three writers get to keep the ball rolling!
What are you working on? Novel about a woman suffering from anhedonia (inability to feel pleasure) who becomes determined to found the ideal cult—conflicts arise with revolutionary compounds, secret societies, and other spirited fanatics. Currently also revising short stories I composed while doing the MFA in Fiction at Bowling Green State University. On the scholarly side, improving a paper dealing with “monstrous sacrifices” and getting together an anthology that collects fiction and poetry exemplifying the literary fantastic.
How does your work differ from others of its genre? Everyone wants to feel special since we’re unique dastardly beings. Some demons driving my work have their own peculiar flavor, so in a novella there’s a French fellow determined to master the arts of occult puppetry and in a short story there’s a man obsessed with elbows. Bizarre subjects that involve humane ties to authentic experience—or at least the compelling illusion of recognition mixed with disconcertion.
How does your writing process work? How does it work indeed? No foolproof method. It depends. When I’m keeping disciplined, I set time each day; otherwise, I’ll splurge on a weekend or day off. Sometimes I’ll put on a t-shirt, necklace or a ring and play music that I associate with getting in the creative mode. There’s a lot of fun delving into narrative possibilities, but there’s torture too. So many doors that could open—paths in the perpetual maze. The whips of guilt, self-doubt, and the perpetual gap between conception and execution will harry me along those corridors until some exit is found. Then it’s back inside to find a better path. Whatever resonates best with the characters’ personalities and their decisions. Eventually the work gets done.
For that initial drafting, I try not to self-censor and just find a place of energetic mischief and let the chaotic torrent pour out and then take out the scalpel, machete, scimitar, what-you-will, to hack off digressions and such (that’s what blogs are for, right?).
And then it’s time for revision. Aside from the cutting, I’ll reflect on a range of readers and what they might need for clarity—sometimes imagining what questions might get raised by writers who’ve advised me in workshops and past peer review. And there’s the waiting game: stewing in the tar pits of the mind, the drawer, the bugged computer file. Fresh eyes on old stories find new work to be done. We dwell with Sisyphus. Time to turn off the phone ringers, logoff the internet, and write before the pendulum strikes and the pen must be set down forever.
Why do you write what you do? If my pet rock is silent, that decision depends upon which voices in the head are most insistent, what characters demand doing. The unease grows unless the writing flows. I follow characters down paths of compulsion: how they’re haunted by their own predilections, the terrible logic of dominating impulses. More than rationality and free will, humans seem defined by raging, euphoric, and sorrowful feelings. Or rather, in the tension between rationalization and impulse, diabolism brews and personality emerges. I remember one guy talking about trouble with some relationship misunderstanding, and he said, “I’m going to make it worse”–and laughed bitterly. Self-destructiveness and unintended disaster resulting from ambition, revenge, love, pursuit of knowledge—these are some of the journeys that I find compelling. Sometimes it’s a matter of pursuing the narrative consequences of a humorous situation or conflict, and you just have to go with that premise and see what might develop. Satire often intrigues me as well.
On a few occasions, I’ve been lucky enough to collaborate, such as with some folklore projects and scripts (see works with Birke Duncan below on this webpage). I’ve done some screenplay projects too, but Spielberg has yet to call.
Next up, in about a week, check out responses on their blogs or Facebook pages to the same 4 questions from these 3 writers (by the way, all of them did their MFAs at Bowling Green State University):
Justin Carter is co-editor of Banango Street & a PhD student at the University of North Texas. His poems appear/will appear in The Collagist, Hobart, The Journal, Ninth Letter, & Sonora Review. He can be found online at justinrcarter.tumblr.com
Michael Czyzniejewski is the author of three collections of stories, Elephants in Our Bedroom (Dzanc Books, 2009), Chicago Stories: 40 Dramatic Fictions (Curbside Splendor, 2012) and the forthcoming I Will Love You for the Rest of My Life: Breakup Stories (Curbside Splendor, 2015), as well as the recipient of a National Endowment for the Arts fellowship in 2010. He is an assistant professor at Missouri State University and Editor of Moon City Review. For twenty-five years, he has also worked as a vendor at Wrigley Field. https://www.facebook.com/profile.php?id=20920945&fref=ts
Suzanne Hodsden is an Ohio native but spent most of her twenties living in Eastern Europe. She has her MFA from BGSU and is current tech editor of Mid-American Review. Her work appears in Crab Orchard Review. Sometimes she blogs at zannahsue.wordpress.com